Session Notes
After studying Caravaggio's "Still" artwork and his usage of natural lighting I use his work a a guide in order to improve the composition and aesthetic of my own crystal scenes.
In oirder to create similar rays of luight I create da psotlight to emluate the illusoin f a windfow or beam of natueal hitting the stone all in the scene. (figure a)
Furthermore, just how the ruby sword scene began to improve onece textures were introcued I decidded to create a simple stone texture that I foudn from a free texture website for the time bing and changed the colour to create a sand stone temple wall. (figure b)
Contiing from this scene the following day I proceeded to push my lighting cpabilites further by looking though maya rendegn settings and disocvered useful tools that created more dynamic lights and shadows in my rendered scesn.
...
Referances
https://www.youtube.com/watch?v=VKmJt3VzrtA
https://www.youtube.com/watch?v=8Pa79DwclPo
By Sebastian Jones
After studying Caravaggio's "Still" artwork and his usage of natural lighting I use his work a a guide in order to improve the composition and aesthetic of my own crystal scenes.
In oirder to create similar rays of luight I create da psotlight to emluate the illusoin f a windfow or beam of natueal hitting the stone all in the scene. (figure a)
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| Figure A |
Furthermore, just how the ruby sword scene began to improve onece textures were introcued I decidded to create a simple stone texture that I foudn from a free texture website for the time bing and changed the colour to create a sand stone temple wall. (figure b)
 |
| Figure B |
...
Referances
https://www.youtube.com/watch?v=VKmJt3VzrtA
https://www.youtube.com/watch?v=8Pa79DwclPo
By Sebastian Jones
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